The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.
An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.
A promotional short for the feature film "Roach Motel". The short film "Modern Living and You!" satirizes "Red Scare" era instructional shorts, while the time period itself is up in the air and left ambiguous. The short follows "Your Neighbor Margie" at the hands of a ruthless, demanding, and godlike narrator, as he puts her on display and on the spot, asking her questions, that he himself may not even know the answers to.
Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.
The True Believers is a 1988 Australian mini series which looks at the history of the Australian Labor Party from the end of World War Two up to the Australian Labor Party split of 1955. It was co-written by Bob Ellis who focused on three characters "Chifley, the unlettered man of great dignity; Menzies, who used to stand for something but eventually stood only for Menzies; and Evatt, the grand idealist... It's almost like Shakespeare's Henry IV, Part 1. It's a chunk of national history during Australia's great era of change after the war."
In 2003 Song Du-yul, a philosophy professor, decides to go back to his homeland after spending thirty-seven years in Germany. Within a week after crossing the border, his reputation falls from a respected global political figure to an infamous communist spy. During a five-year-long trial, he was arrested and held in custody. This throws Korean society into turmoil and brings a big conflict between the Conservative and the Progressive parties. The filmmaker calmly contemplates this long period of the incident in detail and depicts a society with an indifferent manner. The story builds through an accretion of whimsical facts and it sometimes brings up uncomfortable truths which will irritate viewers. This film is a camera inside of us that evokes what viewers may have tried to forget.
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