Our main guy, Zhao Fang, gets thrown into a fantasy world—but there’s a catch. He’s stuck as a powerless, disgraced young master, with only a loyal maid by his side. Sounds rough, right? But Zhao Fang isn’t sweating it. Thanks to his deep gaming experience, he quickly cracks the system, exploits game-breaking glitches, and starts power-leveling like a pro. With every secret realm he conquers, Zhao Fang unlocks new abilities, takes on crazy system-assigned missions, and proves that he’s no ordinary player. He’s here to dominate the game world, one upgrade at a time.
A feature-length queer glitch art remix – or, "wave" – of Jane Schoenbrun's I Saw the TV Glow (2024), divided into 9 segments... each helmed by different editors.
Detached life of two young strangers is interrupted when they are transported to an unknown dimension.
A pair of scavengers discover something strange after wandering onto the property of a mysterious technician.
Inspired by a Bill Viola essay which relates three different kinds of 'video black' to closing one's eyes, sleeping, and dying, this work thinks those states of darkness through rapidly failing and increasingly unsupported electronic equipment. Briefly remembered fantasy images, soft crackles of chromatic snow, and explosions of violent feedback form a death dream of analog video.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.
Mônica and Camila walks at night. A strange sound surprises them. An object falls from the sky. They receive a message. Something evokes them.
Bob, a guardian from the Super Computer, helped by his friends Dot, Enzo, and dog Frisket, defend the digital city of Mainframe from evil computer viruses that seek to dominate the city and infect the entire net.
How can a DSLR camera move in the ruins of a 19th century mansion that is battered to be covered with glass and steel in the days to come, for that’s a more appropriate image as a shopping mall. How to get up and to do what in the ruins; the scenery of late ones to come? Here, this occurs: there are holes in some walls releasing specters to haunt which that makes impossible to reach. What is an Istanbul, where is Aleppo.
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