Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
The plot of the film takes place in a foreign company located in southern Serbia. The warehouse manager enjoys his free weekend, which is interrupted by a warehouse worker who invites him to come to the warehouse in order to have a serious conversation with a new client from London. The manager had no idea what had happened there and what is yet to happen in the warehouse.
An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net.
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