The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
East Berlin, early 1980s: Ludger is hired by the Stasi to spy on the oppositional arts scene in Prenzlauer Berg. But when he falls in love with the mysterious Nathalie, he has to choose between a life as a celebrated underground poet and his career as a Stasi agent. A choice that will turn back on him 30 years later.
Siegfried "Siggi" Trzoß, a radio moderator from East Berlin, is working tirelessly leading up to his anniversary and 900th show. The music his heart burns for is East German Schlager, a genre politically ignored at first and widely forgotten now. But Siggi keeps the dream alive to this day, making the hearts of seniors jump higher in nostalgia all over east Germany.
August 13, 1961: The passengers on the interzonal train from Munich to East Berlin learn 3½ hours before crossing the border that the Wall is being built in Berlin. They have 3½ hours to make a life-changing decision: to get off the train or keep going.
A punk documentary about the life and death of the GDR punk Dieter "Otze" Ehrlich and his band Schleimkeim aus dem Schweinestall. With the fall of the Wall, Otze loses not only his enemy images, but also his life at the price of freedom.
Born in Germany in 2002, Noa Blanche Beschorner evokes the memory of those who, a generation before her, lived through the separation of East and West Germany. Tapetenwechsel (Change of Scenery) is the story of youth seeking their identity when confronting their collective memory.
At Hotel Astoria, the former hotspot of Leipzig, guests were served champagne and turtle soup while the Stasi listened in. Animated memories from times gone by.
Iran 1979. The Islamic Revolution is shaking up the country. Dissident Omid, who lived for several years in the German Democratic Republic with his wife, chemical engineer Beate and their mutual daughter, hears the call from his homeland and returns to Teheran with high hopes and best intentions, bringing along his family.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
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