Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.
A universal story with Latino characters told in an unconventional way (like Forrest Gump and Amadeus) about a man who's trying to keep his hot-headed younger brother from carrying out revenge.
In this hard-edged urban drama, when a shocking murder is committed in a Hispanic neighborhood in East Lost Angeles, the local residents are up in arms and demand action from the police. When the cops prove slow to investigate the killing, the local street gangs who prowl the area put aside their differences and set out to find the murderer themselves.
Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.
A crew of Martians overhears a radio broadcast of Orson Welles' "War of the Worlds" coming from Earth, and, thinking the Martian fleet is attacking Earth, they land their broken-down ship in a backwater mid-American town. As luck would have it, they land on Halloween and get mistaken for trick-or-treaters. Comedy ensues as the Martians try to get taken seriously.
By browsing this website, you accept our cookies policy.