Dracula, the Musical is a musical based on the original 1897 Victorian novel by Bram Stoker. The score is by Frank Wildhorn, with lyrics and book by Don Black and Christopher Hampton. The Japanese premiere took place in August 2011 in Tokyo. Dracula was played by female performer Yoka Wao, the first woman to play the role of the Count on stage.
Set against the background of the Spanish Civil War, the plot centers on socialist playwright Katherine McGregor and renowned photographer Georges Malraux, a Polish Jew who fled his homeland for Paris. The two first meet in Hollywood at a party announcing the film adaptation of Katherine's play Tempest in Spain, based on the opera Carmen. The two are reunited in Barcelona, where they unexpectedly find themselves falling in love as they become embroiled in a battle against fascism.
William O'Dannell, an elite of Adams Finance in London, receives directly from its president an order to rebuild Hotel Stella Maris, a small hotel in California. The sea expanding in front of the hotel is said to glitter with blue in the light of the full moon as if it were jeweled with stars. When the hotel opened in 1932, it was a great success and enjoyed the patronage of celebrities coming from the four corners of the country. However, it has become unsuccessful following the change of the times, and is now on the verge of bankruptcy.
Takarazuka Cosmos Troupe 2000 production of Utakata no Koi (Translated as Ephemeral Love, also known as Mayerling). Based on the true story of the the doomed love affair between the crown prince of Austria Rudolf and his young mistress, Marie Vetsera.
The 1998 Takarazuka Revue Cosmos Troupe's production of the Viennese musical Elisabeth
TV director Eric and his film crew are in Scotland, filming an old castle. At an auction, Eric buys his reporter Marie a pendant. This pendant helps to awaken the ghost of the castle, a man dead for 140 years, and former heir to the castle, Charles.
In 1932, the shadow of war threatens, but Japan is still at peace. A sponsor of the Imperial Symphony, Lord Kuretake Kimiya, is deathly ill. He calls to his bedside Sanjou Kaoru, who is both the fiancé of his daughter Umeko and an up-and-coming conductor. Lord Kuretake has a very serious request: Many years ago, he had a daughter with a Russian woman and he begs Sanjou to search for her in Shanghai. Because her mother, Anastasia, an opera singer, was a close friend of the princess, when the revolution came, she vanished with the imperial family. Since then, Kuretake has married and had a family, and he wants his daughter Natasha to be raised in his home.
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