An estranged grandmother reconnects with her granddaughter after a difficult diagnosis and asks her for help to accomplish the dream of going to Rio de Janeiro and being on a telenovela.
21 sequence shots depict moments in a defining night of the Battle of Rua Maria Antônia, in October 1968, from the point of view of the students and professors of the Left-wing Student Movement, in the Philosophy Faculty building of USP.
In 1917, Rebeca flees from hunger and war in Poland and arrives in Brazil to reunite with her husband and start a new life. In Rio de Janeiro, she discovers that her husband has died and ends up being held hostage by a large prostitution and women trafficking ring, led by the ruthless Tzvi. Rebeca transgresses her own beliefs and finds allies who are experiencing the same drama. Together, they decide to fight for freedom.
In 1971, military dictatorship in Brazil reaches its height. The Paiva family — Rubens, Eunice, and their five children — live in a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.
Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.
One place, in two eras: in 2020, three heirs of an abandoned property decide to recover it. In 1985, the property was the scene of passions, episodes of violence and solidarity adventures.
Seven friends who met in their youth at an English course meet again 25 years later; Lara, Taís, Helena, Adriana, Renée, Natália and Carol, each of them has a different personality and origin, but they share a deep affection.
Raquel is a religious teenager who moves with her father to a small town in search of a new life. During her first days there, she has a mysterious experience which leads her to believe she’s been given an important and controversial mission by God.
Tells the story of the quartet formed by a friendly and bankrupt ex-football player, a rich and snobby surgeon, a powerful and arrogant executive and a scammer with a heart of stone. They are victims of a plane crash on the same day they met each other and end up dying. When they meet Death, they are told that their time to go has not yet come and that they must return to life to deal with their personal issues. However, Death warns that, in a year, one of them will actually die and the four decide to take this second chance to achieve their greatest goals in life.
Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.
Valentina Herszage (Rio de Janeiro, March 11, 1998) is a Brazilian actress. Valentina studied in the New Theater Course at Universidade Cândido Mendes, in Ipanema, Rio de Janeiro and at Catsapá Escola de Musicais. As a child, she starred in the children's short film Direita É a Mão que Você Escreve (2009), by director Paulo Santos, shown in 2010 at the Florianópolis Children's Film Festival. In 2015, she was featured in the film Kill Me Please (2015) as Bia and received the Redeemer Trophy for Actress at the 2015 edition of the Rio Festival. She is also known for Hebe (2019), A Life to Die For (2021) and Raquel 1:1 (2023).
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