Celebrity financier and jet-setter Markus Føns has been taken into custody. Following a brutal assault by a gang of bikers in connection with some of his more shady dealings, Markus opts for voluntary solitary confinement among the prison's weakest inmates; the rapists and the pedophiles. This ward has a prison choir, of which the inmate Niels is the unofficial and self-proclaimed leader. Markus decides to join the choir and before long has his sight set on reaching the top of its hierarchy. This battle is not fought with muscle, but with cunning, tyranny and canonical Danish songs!
There is a 21-year age difference between Freja and Albert, who are forced to keep their romance secret from the small but curious community on a remote Danish island.
To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.
The neighbourhood is tough. New-built concrete towers, which are not yet completely finished but already slum. Daily police raids. Daily suicide jumps from the roofs. Here lives Sally in a two-bedroom, with her parents and younger brother. Sally is dreaming big. She wants to be a fighter pilot, and she wants to be rich! She has already started her own business, collecting empty bottles and bits and pieces of scraps. And Sally don't care much for the immigrants in her area. She takes every opportunity to vent her inner racist. Turkish Zuhal move in with his family. "A new flock of Bedouins" Sally condescendingly comments. But what she does not know is that this will be one of the major turning points in her life ...
Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....
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