Entertaining movie about the early days of Polish stock exchange in the beginning of 80's. Young TV reporter is sucked into the inferno of easy money, deception, crime, sex and drugs. Sometimes like Kieslowski's moral tales, sometimes like Pasikowski's brutal fables, even sometimes like "Once upon a time in America". Fantastic creations of Baka as Maks and Majchrzak as Rekin /the Shark/ - evil incarnated.
Franz Maurer, a compromised cop, former officer of the criminal department of the Warsaw's police, is released from prison where he was doing time for his brutality and murders. He is awaited by Nowy, a former police colleague. Franz tries to go straight starting hard work in a steel mill. Nevertheless, he must leave the factory as a criminal with an uncertain past when he doesn't join the strike organized by the workers' union. At the same time, a merciless war continues in former Yugoslavia. Wolf and William, two high rank officers, come to Poland in order to organize a network selling and smuggling arms to Yugoslavia by way of Albania.
Early 90's. The political and economic landscape of Poland, Russia and Germany is changing. Both good and bad sides of freedom are revealed. The mafia is becoming more and more bold, operating without obstacles across borders. One of the more lucrative "businesses" is the trade in luxury cars, stolen in Germany and transferred to Russia by Russia.
In the winter of 1943 two young Jews, Alek and Fryda, escape, via sewer tunnels, from the atrocities underway in Warsaw ghetto. Alek, entrusted with undeveloped photos of the horrors within, makes his way to a supposedly safe apartment only to find it occupied by Germans. Another tenant, a pole Stephania, abruptly offers to shelter him in her spacious apartment. She comforts him and they make love that very night. Stefania is uncommonly generous and willing to jeopardize her own safety by hiding a Jew. She even goes to a nearby church and rescues Fryda. But Fryda is ungrateful and proceeds to sabotage the trio's safety in insidious ways.
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