Twenty-five years after environmental collapse left the Earth uninhabitable, Mother, Father and Son are confined to their palatial bunker, where they struggle to maintain hope and a sense of normalcy by clinging to the rituals of daily life—until the arrival of a stranger, Girl, upends their happy routine. As tensions rise, their seemingly idyllic existence starts to crumble.
One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life. In May 1949, this leading representative of the modernist St Ives group of artists climbed to the top of the Grindelwald glacier in Switzerland, an experience which was to transform the way she saw the world.
Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.
A collection of thoughts and journeys. A dialogue between different forms of knowledge. A film about dancing, working, and life itself. The Hexagonal Hive and a Mouse in a Maze explores current ideas about learning in a global context.
Marking the 30th anniversary of Derek Jarman's passing, close friend and collaborator Tilda Swinton leads a poetic tribute to the late artist and filmmaker with a slow, meditative journey into Jarman’s poem "Chroma" during a visit to Beijing.
Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
After a fateful miss, an assassin battles his employers, and himself, on an international manhunt he insists isn't personal.
A cine-collage manifesto in defense of beauty amidst political cynicism and environmental alienation. Based on the essay by George Orwell and narrated by Tilda Swinton.
Tilda Swinton (born Katherine Matilda Swinton; November 5, 1960) is an award-winning British actress of Scottish descent, known for her versatile roles in independent films and blockbusters. She is a recipient various accolades throughout her long career, including an Academy Award and two BAFTA Awards, in addition to being nominated for three Golden Globe Awards and five Screen Actors Guild Awards. Swinton began her career by appearing in experimental films starting with Caravaggio (1986), followed by The Last of England (1988), War Requiem (1989), and The Garden (1990). She won the Volpi Cup for Best Actress at the Venice Film Festival for her portrayal of Isabella of France in Edward II (1991). She next starred in Sally Potter's Orlando (1992), for which she received a nomination for the European Film Award for Best Actress. She was nominated for a Golden Globe Award for her performance in The Deep End (2001), and followed this with appearances in Vanilla Sky (2001), Adaptation (2002), Constantine (2005), Julia (2008), and I Am Love (2009). For the film Young Adam (2003), she won the British Academy Scotland Award for Best Actress. Her performance in Michael Clayton (2007) won her the Academy Award for Best Supporting Actress and the BAFTA Award for Best Actress in a Supporting Role. Additionally, she won the European Film Award for Best Actress and received a nomination for the BAFTA Award for Best Actress in a Leading Role for the psychological thriller We Need to Talk About Kevin (2011). Swinton has also played the White Witch in The Chronicles of Narnia series (2005–2010) and the Ancient One in the Marvel Cinematic Universe franchise. Swinton was awarded the Richard Harris Award by the British Independent Film Awards in recognition of her contributions to the British film industry. In 2013, she was given a special tribute by the Museum of Modern Art. In 2020, Swinton was awarded the British Film Institute Fellowship, the highest honour presented by the institution, for her "daringly eclectic and striking talents as a performer and film-maker and recognizes her great contribution to film culture, independent film exhibition and philanthropy." That same year, The New York Times ranked her thirteenth on its list of the greatest actors of the 21st century up to that point.
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