This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.
Tília is a fortune teller, that writes down all her patient's secrets in a notebook. One day after a earthquake she looses it, and then, everyone's secrets can be found.
After the murder of a local student, a small town judge faces an unexpected dilemma: now her actions can put her family at risk.
The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.
A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.
An airplane disappears mysteriously; on board was Verónica, the twin sister of Vitória, the victim of a fraud by a millionaire. Presumed dead, Verónica assumes the identity of her sister and plans to avenge herself on the entrepreneur's family.