Bertha is a widow and lives alone on an isolated farm in the mountains of Santa Catarina. Beginning to face difficulties in keeping the property running, Bertha is under pressure from her son who wants her to move in with him in an upscale neighborhood of Florianópolis. Upon learning of the arrival of a group of Haitians in Santa Catarina, Bertha decides to bring the Haitian Bastide to work and live with her, fueling her son's hostility. The coexistence transforms the working relationship between Bertha and Bastide into a sincere friendship between two people from different cultures who share common ideas and feelings.
After the mysterious disappearance of his father, Joventino, the cowboy José Leôncio becomes a wealthy farm owner in Pantanal. Over twenty years have passed and, bitter-hearted because of his father vanishing and the escape of his wife to Rio de Janeiro with his baby, José Leôncio has the chance to make amends with the boy, now a young man raised in the big city with very different values and habits than his own.
The story of the first 2,300 years of humanity and recounts events exclusively from that period. The plot begins by giving us a greater understanding of why we exist and how we turned from perfection to imperfection. The origin of all social and racial problems is there at the beginning of everything, when via one decision a human being who only knew good and enjoyed it so much also chose to know evil.
Hebe Camargo is one of the most emblematic entertainments in Brazil. At her 60s, she went on to control her own career and, despite the criticism, the dreadful husband and the powerful and sexist bosses, she revealed herself to the public as an extraordinary woman, capable of overcoming any personal or professional crisis.
A mysterious and spiritual portrayal of one of the most intense and controversial stories in the Holy Bible: the end of the world.
Dear Mom centers on the conflictive relationship between Heloisa, a recently divorced doctor, and her mother Ruth. Heloisa blames Ruth for her bad relationship with her own daughter, her failed marriage, and even her unsuccessful career. It’s a conflict that worsens when Ruth, after being diagnosed with cancer, finds out that Heloisa has fallen in love with Leda, a painter she met at the hospital where she works. The new relationship is not well accepted by her family, let alone by Ruth, which worsens the friction between them.
Two lonely sad women, an old one and a young poet, meet as neighbours in the last day of the year.
Selma Egrei Moretti Faro Silva (São Paulo, March 16, 1949) is a Brazilian actress. Throughout her career, she has received several awards, including two APCA Awards, an Extra Award, and a Mambembe Award, in addition to receiving nominations for two Shell Awards. Due to her beauty, she was one of the favorite actresses of Fauzi Mansur, Cláudio Cunha, J. Marreco, John Doo and Jean Garret, a time when Brazilian cinema, to escape political censorship, opted for pornochanchada. However, in the hands of Walter Hugo Khouri, with whom she made four films, her talent would reveal itself.