Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
A pensioner with many phobias realises one day that four million francs have been mistakenly deposited into his account. Instead of notifying the bank, he makes an unexpected decision: he withdraws the money and flees on his moped.
In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
Lorenzo, Blue and Antonio have a lot in common: they are sixteen, attending the same class in the same school in a small town in the northeast, each have a family that loves them. And all three, though for different reasons, have come to be isolated from other peers. Their new friendship helps them to resist, until the mechanical attraction and fear the judgment of others do not grasp them unprepared.
By browsing this website, you accept our cookies policy.
