Amila comes from a small village in Sri Lanka. After losing his parents, he moves to Colombo. He works as a construction worker in a Chinese building site and looks after his four siblings. His sister Inoka suffers from a congenital heart defect and the only way to save her is an urgent and expensive surgery to be performed in India. While Amila is trying to find the money he needs, he just meets the wrong person at the right time, and gets caught up in the child trafficking business…
In 1600 A. D., an ancient aversion rises from its slumber. Two clans who indoctrinate the Sinhalese martial art 'Angam Pora' clash. A warrior awakens an untapped potential of his own mind, the Kundalini yoga. He is unstoppable. A little girl is destined to take the revenge on behalf of her assassinated father. The warrior travels through time. He realizes that hatred is not appeased by hatred. The girl fulfills her task. But a bond is left behind.
During a Mayoral election in a small town in the Hill Capital, the son of the opposing candidate is missing while on a trip to Worlds End. The opposing candidate who is a leading lawyer has a mistress named Annette, who now becomes the main suspect. A search begins around Worlds End involving the police and the army, thereby involving the media and people to follow the story.
Nommara 17 (Sinhala: නොම්මර 17) is a 1989 Sri Lankan Sinhala action thriller film directed by Hemasiri Sellapperuma and produced by Preethiraj Weeraratne for Weeraratne Enterprises. It stars Vijaya Kumaratunga, Sanath Gunathilake and Jeewan Kumaranatunga in lead roles along with Mervyn Jayathunga, Freddie Silva and Sabeetha Perera. The music was composed by Ernest Soysa. It is the 691st film in the Sinhala cinema. The film was screened after the assassination of lead actor Vijaya Kumaratunga, which influenced the fans to come and watch his famous movie star for the last time on the silver screen. Thus recorded as one of the huge blockbuster hit in Sinhala cinema, which also won Sarasaviya Award as well. It successfully passed 200 days at theatres.
This psychological drama attempts to dwell into the mind of Aravinda, whose Buddhist empathy and detachment are contrasted with his worldly friends and relatives. The English translation of the title, "The Way of the Lotus" implies Aravinda as Lotus-rising above dirt and mud to blossom.
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