A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and the difficulty of connection. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner.
At 76, Swedish auteur Roy Andersson is about to complete his last film. With the end of his career in sight, the central thematic concerns of Roy's work - vulnerability, insecurity and mortality - spill over into his creative process.
This is the year with a music party at Gärdet in Stockholm, and Lee Hazlewood and Nina Lizell wonder who can sail before the wind. The Vietnam War continues and the United States is bombing Cambodia. In Stockholm, police officers write in protest against poor conditions and the rockers take the chance to take over the town. During the "cannon race" on the Gellerås track, a fatal accident occurs. Director Roy Andersson's first feature film "En kärlekshistoria" is a must see.
The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.
Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.
In room 1112 at hotel Riverton during Göteborg's 2011 film festival, director Jonas Selberg Augustsén brings together some of Sweden's most famous film workers and asks a question: "Are the celluloid film about to die, and what do you think it means for the moving image?" The film is inspired by Wim Wender's 1982 documentary, Chambre 666.
2011 documentary about Swedish film director Roy Andersson and his unique way of making films. Shot during the four-year-long filming Andersson's 2007 film You, the Living, the documentary is a personal description of a surprising and different approach to the creative process. Roy Andersson has invented a working method of his own in order to achieve control over the work in process, but he is ultimately dependent on his young co-workers.
Gothenburg Film Festival's new honorary chairman Roy Andersson talks about the adversities after the film "Giliap", revealing that he does not always think it's so much fun. A backlash can instead be a boost for creativity.
Roy Arne Lennart Andersson is a Swedish film director, best known for his distinctive style of absurdist humor and melancholic depictions of human life. His personal style is characterized by long takes, and stiff caricaturing of Swedish culture and grotesque. Over his career Andersson earned prizes from the Cannes Film Festival, Berlin International Film Festival and Venice International Film Festival. Andersson spent much of his professional life working on advertisement spots, directing over 400 commercials and two short films; directing six feature-length films in six decades. He made his feature film debut with A Swedish Love Story (1970) followed by Giliap (1975). Anderson received the Cannes Film Festival Jury Prize for Songs from the Second Floor (2000). His film A Pigeon Sat on a Branch Reflecting on Existence (2014) won the Venice International Film Festival's Golden Lion. He other notable films include You, the Living (2007), and About Endlessness (2019). Imdb Mini Bio By ; yusufpiskin
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