Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.
The 1980s, the Tuscan countryside. Two young lovers are driving east to enjoy the dawn but they end up at the scene of a crime and become the new target of the criminals
Police officer Elena deals with cyber crimes and violence against children. The discovery of a young boy's body in the Venetian Lagoon brings her back to the city she left twenty years earlier.
The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, prosecutors have only scant DNA evidence and no database to compare them to. Based on a true story.
Benno and Allegra: he's over fifty, English, and drinks like a fish; she's twenty years younger, a travel blogger with lots of imagination. They both live off their lies and have no intention of stopping now. Next-door neighbors who had never met until the day he wound up on the wrong landing, and nothing would ever be the same. Sheer chance leads this odd couple on a flight towards lost or forgotten places, where their mutual support makes for self-discovery.
Arturo Meraviglia is a struggling impresario who has to take care of Gioele and Rebecca, two children "inherited" by an old uncle. When he realizes that little Gioele has superpowers, his luck changes.
Il mio unico crimine è vedere chiaro nella notte addresses the issues of censorship in Italian cinema and psychological removal in art. The work’s title—my only crime is seeing clearly in the night—incisively highlights the conflict at the basis of creation and censorship. The film, with its re-imagining of film fragments, cut out and eliminated with bureaucratic scrupulousness, doggedly retraces the cuts inflicted on the productions of past masters and thinks them through once again as the signs of a cinema yearning to be completed. The cut, which aims to interrupt the relationship between the gaze and the possible, instead becomes a place to be repopulated with… ghosts.
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