Robert Sabatier

Overview

Known for
Acting
Gender
Other
Birthday
Aug 17, 1923 (101 years old)
Death date
Jun 28, 2012

Robert Sabatier

Known For

Les Allumettes suédoises
TV Show 1996

Les Allumettes suédoises

Ni avec toi, ni sans toi
1h 25m
Movie 1985

Ni avec toi, ni sans toi

The miseries of alcoholism, both for the alcoholic and anyone close to him, are the focus of this routine story about Mathilde, a devoted wife, and her husband Pierre, who is addicted to the bottle. The opening scene is at a New Year's party where Pierre disappears, and Mathilde starts remembering their life together in flashbacks that tell the whole story. Mathilde is ever-suffering, and Pierre is on the whole revolting, so why she hung in there for so long is hopefully made clear in these flashbacks.

Biography

Robert Sabatier (17 August 1923 – 28 June 2012) was a French poet and writer. He wrote numerous novels, essays and books of aphorisms and poems. He was elected to the Académie Goncourt in 1971, as well as to the Académie Mallarme. He is also the author of Histoire de la poésie française: La poésie du XVIIe siècle Among his notable works is the autobiographical series of novels "Roman d'Olivier" about growing up in the streets of a poor quarter in Paris during the 1930s. A title from the series, Les Allumettes Suédoises (The Safety Matches, also translated under the title The Match Boy), was adapted for French TV by Jacques Ertaud. According to Kirkus Reviews, the book Les Allumettes Suédoises sold 200,000 copies. Other autobiographical installments include "Olivier 1940" and "Les Trompettes Guerrières". More recent works include Diogène about the Cynic philosopher of ancient Greece. As a poet, Sabatier was awarded Le Prix Guillaume Apollinaire in 1955. A small selection of Sabatier's poems have been published in English translations by the American poet X.J. Kennedy and others in the anthology Modern European Poetry (edited by Willis Barnstone et al., published by Bantam Books, NY, 1966). Kennedy's translations of Sabatier include the poems "Vegetal Body" and the elegiac "Mortal Landscape" where Sabatier wonders "The bird is flown, the monster not yet born where shall we go in this demolished world?". In an introduction to Sabatier, Barnstone states: "The poet's despair has sharp edges . . . but the bitter violence that strikes at the reader of these poems has its roots in an earlier joy that persists like a dream." Sabatier's poetry is deeply colored by memory and division: "He held the image that he loved so tight/his body itself cast two shadows." Before his death, Sabatier was writing his memoirs. Source: Article "Robert Sabatier" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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