“Acting is something anyone can do,” says Barbara Sukowa. “It’s completely intuitive and instinctual, much like a child dressing up.” Those who have worked with her say that what she does is true artistry. Barbara Sukowa, a star of Fassbinder’s films, an icon, and a role model. Who says there are hardly any interesting roles for women beyond forty? New challenges continually come her way. A few years past normal retirement age, she is launching into a remarkable new chapter. Sukowa – Spielen wie ein Kind (Barbara Sukowa – playful like a child) chronicles the path of an internationally successful actress to this day.
"Wings Of Desire" and "Buena Vista Social Club", "Paris, Texas" and "The State Of Things": Wim Wenders is considered one of the pioneers of New German Cinema and one of the most important and influential representatives of contemporary cinema. With never before shown archive material and extraordinary encounters with companions and contemporary witnesses such as Francis Ford Coppola, Willem Dafoe, Andie MacDowell, Hanns Zischler, Patti Smith and Werner Herzog, this documentary provides unique insights into the life and work of one of the most multifaceted artists of our times. Renowned documentary filmmaker Eric Friedler ("It Must Schwing. The Blue Note Story") and his co-director Andreas Frege were given the exclusive opportunity to portray Wenders for this film. From Dusseldorf to Paris, and all the way to the desert of Texas, the film traces iconic locations and decisive moments in Wenders' work as director, producer, photographer and author.
A portion of the Emmy award-winning documentary on the great Life Magazine photojournalist, Alfred Eisenstaedt (Eise). He photographed for over 50 years and was doing well in prewar Germany until he had to leave. This is him returning to Germany in 1982 to experience the country again and see how he felt about the new Germany. In making this film, viewers get a sense of the uniqueness of his character.
A film portrait of the influential Bavarian actor, director and screenwriter who publicly confessed his homosexuality.
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s.
Rainer Werner Fassbinder was a German film director, screenwriter, and actor. He is one of the most important figures in the New German Cinema. Fassbinder was prolific; in a professional career that lasted less than fifteen years, he completed forty feature length films, two television film series, three short films, four video productions, twenty-four stage plays, and four radio plays. He had tortured personal relationships with the actors and technicians around him who formed a surrogate family. However, his pictures demonstrate his deep sensitivity to social outsiders and his hatred of institutionalized violence. He ruthlessly attacked both German bourgeois society and the larger limitations of humanity. Fassbinder died in June 1982 at the age of 37 from a lethal cocktail of cocaine and barbiturates. His death has often been cited as the event that ended the New German Cinema movement.
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