Documentary about the brazilian goregrind movement
A short essay on our inner demons. Baiestorf recreates the nightmare narrated by teenagers from various parts of the world, who have this dream on a recurring basis.
17 self-taught directors come together to give new meaning to their work in the form of 20 new episodes that are part of the feature film "Noisy Silencers", an extrasensory video experience that takes us on a journey through the history of cinema, from the 1880s to the present in a tangle of deliriums of the seventh art.
Three compulsive and clumsy gamblers are in debt to a loan shark and end up tortured in a basement, where they plan a desperate escape.
Chibamar Bronx is back in a delirious, lysergic short film about very strange investigations.
Pioneer videomaker of independent Brazilian video productions. Exponent of the national gore with direct influence from directors such as John Waters, George Kuchar and José Mojica Marins. In the 90s of the last century, with the collaboration of Coffin Souza and Canibal Produções, he created the aesthetic of “Kanibaru Sinema” (films produced in any format with a zero budget). Born in 1974, Petter Baiestorf grew up in Vila Oldenburgo (Palmitos - SC), living with farmers and workers in the wood and ceramic industry. Self-taught, atheist, anarchist, free-thinker and owner of a difficult personality, he became a teenage poet in 1988, publishing his poems and anti-religious in fanzines such as "Arghhh" (1992), "Necrofilia" (1992), "Clássicos canibal" (1994), "Pus Diet" (1994), "Brazilian Trash Cinema" (2000), "O Viajante Cósmico" (2003) and "Bebuns Bêbados Que Escrevem" (2003). He founded Canibal Produções in 1991, with his friend E. B. Toniolli, who, in 1996, became Canibal-Mabuse Produções by associating with Cesar (Coffin) Souza and, in 2000, became the current Canibal Filmes. In 1997, with Carli Bortolanza, Caos Filmes made his most personal films and in 2001 he created N.A.V.E. (Associated Experimental Video Center) in Palmitos - together with Cesar Souza and Elio Copini.
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