“When dying is a way of life”. This is the synopsis of the short film, where mother and daughter (Luisa Gavasa and Pepa Aniorte), try to deal with the image of death in their daily lives, with humor, sarcasm, and all that mother-daughter relationships imply.
Spain boils with tension, the country is totally polarized and social networks burn daily... The NEW LEFT and LIBERAL SPAIN parties face each other in the next general elections.
Manuela and Rosario are two sisters who, after years of not speaking because of a family secret, find each other unexpectedly in the birthday party of their grandchildren. The kids have met thanks to their nannies, Trini and Milagros, best friends and neighbours. When they discover the conflict that separates the children, the nosy housekeepers will try, clumsily, lovingly and through silly shenanigans, to reconcile the families.
Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.
A woman in a Catholic brotherhood in the south of Spain tries to be president in a world traditionally reserved to men.
A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.
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