A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
After losing her daughter in an accident, Carmen loses all incentive to keep going, until she receives an unexpected letter from the adoption agency: her daughter was finally granted the Vietnamese girl she had asked for adoption and whose name is Thi Mai.
Fernando and Margarita are a peculiar couple who base their lives on a strange and perverse game. He orders everything he wants and modifies reality at will, and she obeys his orders as best she can. This game will take the protagonists to the limit. In the film, both characters are played by various actors and actresses.
In the 1920s Victoria and Ángel fall in love in a small town, northern Spain. They are two people both from a different social class, she is the daughter of a wealthy businessman and he comes from a poor family. They are so in love but social norms and circumstances of the era force them to break up. Several years later, they meet again, Victoria as a powerful businesswoman and Ángel as a priest.
A medieval alchemist (Klaus Kinski), knight (Harvey Keitel) and priest (Fernando Rey) mistake a flying-saucer alien for a dragon.
Cesar and Isabel just got married for the Jewish rite, their religion. He is a director of a banking company. She works in a bookstore owned by her mother-in-law. The couple sees their happiness truncated when César discovers financial anomalies in the entity where he works. What were initially charges against some managers, becomes an accusation of embezzlement against César, who is in France to prevent his entry into military service. Go back and appear before the judge to prove his innocence.
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