This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
After 5 years of marriage, Ben is still madly in love. Until the day he discovers in public that his wife is cheating on him: humiliated and dumped in the process.
Avshalom, a successful musician, relocates to Paris when his wife Annabelle gets a job there. They are greeted by terrorist attacks, and the dream of a romantic year abroad soon turns into a nightmare. Together and separately, Avshalom and Annabelle deal with issues such as anxiety, career and love, all of which shake their sense of belonging and challenge their relationship.
After 50 years of exile, an old man comes back to the cinema of his childhood. The Tuschinski Theater of Amsterdam was born from a foolish dream; the one of Abraham Icek Tuschinski who has left his shtetl from Poland, and settles in Rotterdam where he opens a canteen to welcome Jewish immigrants. He then opens three little cinema halls that become a fast success and that’s how he decides to built a real cathedral like cinema hall. Real Art Deco palace inaugurated in October 1920, the Tuschinski encounters a meteoric success. During 20 years of a brilliant activity and despite the rise of intolerance in the Netherlands, Abraham Tuschinski believes in his dream. And, though weakened by financial difficulties, Tuschinski will never give up his dream. It will be the Nazis, invading the Netherlands, organizing the deporting of Jews and despoiling the properties, that will make Tuschinski’s dream turning into a nightmare.
Since he retired, Serge suffers from a bad case of nostalgia. When he finds a disposable camera lost during the family trip to Italy in 1989, he decides to have it processed as a surprise for his wife and kids.