Juana is a nun with a strong character marked by a paranormal experience. A mysterious order from the Archbishopric will take her to an old church in old Madrid, built on a network of passageways of unknown origin. There, Juana will discover that in the bowels of the building there is something prior to the legends that are explained about that place. And the Evil that lives there has begun to infect the exterior.
Gabriela and Andrés, a doctor and a detective, must face a series of supernatural phenomena that disrupt their lives and those of their loved ones. Together, they have the opportunity to change their destinies.
In the winter of 1968, in a small village in the mountains, the story follows three children who embark on a daring quest to evade the ominous Monster of Many Noses, a formidable figure deeply ingrained in Catalan folklore. This sinister character is known for hunting down children who have spun too many lies on the final day of the year. But the children are not the only ones gripped by fear; the film also explores how lies from the past can have a haunting presence. The film follows a proven formula of taking a deeply rooted legend from Catalan folklore and transforming it into a universal story. The Monster of Many Noses is a captivating exploration of history, myth, and the human condition.
Eva and Carlos are a marriage in destruction. Only Jonah, the son they once had together, keeps them together. Now Jonás has just died in an accident thousands of miles from home during a visit to his paternal grandparents, and nothing unites Eva and Carlos anymore. Without the resources to bring Jonah back, but without the heart not to do so, they will try to get the money they need to recover their son's body at any price.
Described as fiction with autobiographical overtones, the series revolves around the real-life Spanish actresses and sisters, Joana Vilapuig and Mireia Vilapuig who, in a personal touch, found fame as teen actresses in “The Red Band Society.” A decade on, now 27 and 25, they are figuring out how to move their careers forward and trying to find their place in the film-tv industry and life, in a present which is far from certain.
Julián is king of his little piece of park. Today, perhaps, it is a little less so: a girlfriend seems to have invaded his bank. Life, they say, which is the sum of our decisions. The ones from then mark your present; those of today will decide your future.
El Televisor narrates how Marcos, the only neighbor without an alarm, finally ends up installing a protection system in his chalet. Far from feeling safer, he soon becomes obsessed with the idea that someone is stalking him, and he connects the signal from the surveillance cameras to the TV in the living room. Progressively, the images of the closed circuit supplant the programs and the movies, until becoming the only thing that is reproduced on the screen. His wife and his children helplessly witness the man's madness... but maybe "something" out there is really threatening the family. Something visible only between the pixels of the TV.
Alice Gould, a private investigator, pretends to be mentally ill in order to enter a psychiatric hospital and gather evidence for the case she is working on: the death of a patient in unclear circumstances.
Two people, a man and a woman, wake up naked and with their abdomens attached to each other.
Pablo Derqui Maestre is a Spanish actor from Catalonia. An accomplished stage actor, he is better known to the wider public for his performances in television series such as Hispania, Isabel, Pulsaciones or Cathedral of the Sea.
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