Chef and owner Sina Bora faces personal and professional challenges on one of his restaurant's busiest nights. His father's emergency surgery, staff tensions and his former mentor Renzo's plans to take over push Sina to make tough decisions.
Fırat and Filiz are a couple in their 30s, married for seven years. Their marriage has entered a period of stagnation, so they come for a holiday to “Evcilik,” a quiet, very sweet small hotel near Assos in the northern Aegean town of Sivrice. At the hotel, they meet Özkan (50), a local villager who manages the cleaning and running of the entire hotel and the seaside restaurant, along with his wife, Aysun (30), a very beautiful woman. As Fırat and Filiz observe the relationship dynamics between the local couple, they both start seeing Özkan and Aysun in a completely different light. One day, while out on a hike up a deserted hill, supposedly searching for a historical ruin, Filiz suddenly mimics Aysun’s way of speaking and seduces Fırat by speaking in Aysun’s accent. From here, things take a turn. The balance of power shifts, and the story hurtles toward an unexpected, uncontrollable climax, like a truck with failed brakes.
In 1998, Elif Çınar, the wife of Rauf Çınar, one of the country's leading economics professors, is stabbed by a burglar named Necip Talan. The lives of these two families from completely different worlds change after that night. Rauf Çınar's daughter Zeynep Çınar loses her only mother that night; Akay Talan loses his father, his only hero. Akay Talan, who became anonymous, nameless, and homeless in one night, today, under the name Kara, has sworn to steal from those who steal from us so that no child will suffer the same fate as him. Zeynep Çınar returns to Istanbul after studying abroad. She continues her love of plants inherited from her mother through the documentaries she makes. The only thing these two people of two different worlds have in common is that night. Whether they like it or not, life will bring them face to face once again, and even the obstacles in front of them will not prevent them from falling in love. But what happens when the truth comes out?
Asiye, who struggles with her two young children at a young age, devotes herself to the happiness of her children despite all her deprivation, and is both a mother and a father to them, her life turns upside down with the disaster that happened to her daughter Narcissus, whom she avoids from her eyes. After that, Asiyah's path crosses with Mahir, an unfamiliar stranger who helps them, who is dragged on an irreversible journey with his children for the sake of protecting his daughter. Mahir, who helps them with humanitarian feelings and takes them to his car, is unaware yet that he will change the fate of both himself and Asiye and their children with this decision he has made. For Asiye, who took refuge in the Demirhan Mansion thanks to Mahir, this is not a salvation, but the beginning of a whole new war.
A group of unique characters from dramatically different socio-cultural backgrounds meet in startling circumstances in the vibrant and colorful city of Istanbul, some by chance and some by force of will.
The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.
Eylul the stubborn, school girl turns up to be a strong professional doctor by the help of her teacher Ali Asaf. After years of separation they meet up again but not as a teacher and student, instead as surgeons working side by side. Their love is met by many challenges and the inner conflict of the stubborn women who refuse to yield easily to her heart, refusing to repeat the miserable story of her dead mother.
Öykü Karayel was born in Istanbul in 1990 with her single twin brother Ezgi. Cemberlitas Girls High School graduated. When she was in her final year of high school, she received a short training at the Kenter Theater academy and then in 2007 she entered the Theater Department of the University of Istanbul Conservatory. While at the Conservatory, she went to London to study theater with a five-month exchange program. While she was a conservator student, she started playing the role of Ayse in "Güzel Seyler Bizim Tarafta", written and directed by Berkun Oya in 2010 at the Theater Krek. Her first professional experience was "Ayse" in the play "Güzel Seyler Bizim Tarafta", 16th Sadri Alisik Cinema and Theater Awards, "Efes Special Award" and "Theater Critics Association Young Talent Award". Between the years 2011-2013, she played with "Kivanç Tatlitug, Bugra Gülsoy, Bade Isçil, Merve Bolugur, Mustafa Avkiran, Zerrin Tekindor, Hale Soygazi and Kaan Tasaner in the series "Kuzey Güney". Öykü Karayel is also a certified underwater diving expert. Öykü was starred in the Turkish show Muhtesem Yuzyil: Kosem.She also bagged a Turkish film in the year 2015 by the name Bulanti. This was a story based on the life of Ahmet who has to struggle the loss of his beloved wife and son. Öykü played a key role in the film that had Zeki Demirkubuz , Sebnem Hassanisoughi and Öykü in the lead roles. Öykü is fond of dancing and spending time with her family. She is also a travel enthusiast and is known among her co stars as a warm person.
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