Everything is on track in the life of the beloved but eccentric surgeon Petteri Holopainen but when a patient close to him is rushed to the hospital, nothing can go back to the way it was. Holopainen loses everything he holds dear. When a familiar person from the past enters his life, Holopainen must decide what still matters.
Julius, who devours comic books and vampire stories, has a lively imagination. Julius meets Arnold Cautious, who lives in an abandoned house on the outskirts of town and introduces himself as a degenerated, strawberry juice-drinking vampire. Julius and Cautious become friends. Together they try to make the Lucky Stone, the recipe for which is in Cautious' grandmother's secret recipe book. Julius wants to give the stone to his estranged parents so they can rediscover their common happiness. Julius and Arnold's laboratory attempts to make the Lucky Stone falter badly time and time again, but they stubbornly pursue their quest for happiness.
Madde, 30, is out shopping with her best friends Aura and Julia, when she suddenly sees a dark figure from the past: her ex-bff Elsi. Traumatized and panicked, Madde tries to hide. However, her friends won’t let her, and she is forced to make peace with her past. It’s Elsi’s turn to listen.
Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
Recently divorced Helena is getting anxious about spending christmas alone. Her best friend invites her to spend old time christmas on a farm - only place they can afford.
Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.
Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?
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