23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
A reflection on the works and thinking of the last years of production by Torquato. Such as the magazine "Navilouca", the film "Terror da Vermelha", the column "Geleia Geral" and the controversial Cinema Novo X Marginal, among other passages important aspects of Brazilian culture in the 60s and 70s.
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
An egotistical stand-up comedian fights with a spectator and gets fired. To be able to pay his son's pension, he decides to participate in a comedy group contest. Now he will need to work harmoniously with the rest of the team.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
A Brazilian filmmaker, screenwriter, actor, photographer and multimedia artist, involved with contemporary art, installations, art objects and performances, Neville Duarte Almeida was born in 1941 in the Brazilian city of Belo Horizonte. Raised by a Methodist Christian family, he studied theater at the Scholastic Theatre of Minas Gerais and participated at the local Center of Film Studies, where he started to work as an filmmaker. Some of his transgressive, avant-garde films were censored or banned by the Brazilian military dictatorship, after which he went on to directing films aimed to a more commercial approach. His 1978 film "Lady on the Bus", starring Sônia Braga, was a box-office champíon and still holds its place as the the third highest-grossing Brazilian film of all time.