Eager to celebrate the 4th of July, a group of young black and Latino friends experience a police encounter that shatters the meaning of the holiday.
Photographer Barnard Jacobs is dying and Ashley, the woman he loves, won't admit her feelings for him. She's too wrapped up in her cocaine addiction and desire to find a wealthy husband. When fashionista Madeleine begs Barnard to call Ashley for drugs, a party develops. Madeline pairs off with a rich tech executive named Boccaccio. Barnard goes home, where Ashley, seeking peace and solitude, joins him. In flashback, Barnard recalls how his best friend Pickering hired him to take photos of women's eyes. He hired Ashley and the two forged a deep connection. Back in the present, Boccaccio and Madeleine do drugs and become removed from the world. As Barnard learns death is near, he reaches out to Ashley in a final attempt to save both of them.
From Award Winner director Adolfo Doring comes this narrative feature that takes an uncompromising look into the lives of a diverse group of people in New York City. Carefully bringing to light the things that inter-connect their lives with ours. As the title implies there is more than meets the eye and there are no simple explanations in this carefully nuanced observation of contemporary life. From the heights of a Soho Penthouse to the hogwash of a Queens Laundromat, nobody is completely innocent. Thinly Veiled carefully examines these characters who are driven by the same cultural forces that flow through our daily lives, seeking to profit from the selfishness of our overly glorified, market driven, individuality.
A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.
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