Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.
Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.
The railway station in a small town in Western Anatolia where no birds or caravans pass, during the most active and critical days of the National War of Independence in 1921. One is the station chief, who lost his eye and the other foot on the front, and the other was left with caries, and the other was the wife of the station chief.
Hasmet, director of love stories, wants to make a film which is different than the movies he made before. This movie has a social message. He tries to find a producer but film industry is mainly out of money. When he thinks he finds one, nothing goes as it planned.
A man and woman meet during the identification of their spouses' dead bodies, following a car accident. It turns out that the they had an affair with each other. Feelings like jealousy, shame, wrath that struck them at the beginning, leave their place to understanding. The man and the woman start seeing each other. First, they hesitate to start an affair, yet later they cannot control their feelings. They unite in a love affair, not caring about the values and judgments of the people around them.
Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially and she begins to lose her mental balance due to the traumas of her childhood.
Müjde Ar (born 21 June 1954) is a Turkish actress. in the 1980s, she became an unforgettable actress of women's films that liberated women's identity in cinema with the films she starred in, and brought a different perspective to women's sexuality; she ensured that the representation of women in Turkish cinema changed.
By browsing this website, you accept our cookies policy.