A sudden attack by Wulf, a clever and traitorous lord of Rohan seeking vengeance for the death of his father, forces Helm Hammerhand, the King of Rohan, and his people to make a daring last stand in the ancient stronghold of the Hornburg.
Sydney, 1961. The women who work in Goodes ladieswear face tumultuous lives navigating societal shifts and personal challenges amidst the fashion transformation of the sixties.
Inspired to make an original, intimate family portrait, Gracie Otto directs a feature length documentary on her father, Barry Otto, whose career in Australian theatre, film and television has spanned more than 50 years. Baz as he is affectionately known is one of a kind - a truly creative, endearing and extremely eccentric personality who embraces the serious and the silly. This story is about Gracie's relationship with her father, in the twilight of his career and his life, as she tries to capture his memories, before his memory disappears. This is not a traditional biopic, but a deeply personal, artistic and cinematic reflection. Sometimes poignant in its exploration of deteriorating health, the film looks at the world through Baz's eyes, an ode to living a passionate life, that both honours him and preserves his memory.
On the cusp of her 13th birthday, Betty Flood – budding musician and magical being – just wants to be like the rest of her fabulous, but very different family, so why is her magical Mum so against it? As Betty wrestles with this, she also learns the amazing truth about her family and discovers that the not so normal, the magical and the musical are all a part of her fabulously freaky family. It's very freaky, so be freaked freaky ahh deaky peaky neaky seaky peaky poo.
A housekeeper from El Salvador brings her teenage son to help her clean an affluent family’s Los Angeles home. But after being told by her employers that immigration officers are searching for her, she accepts the invitation to shelter in their house until the crisis blows over. As days go by under the same roof, each family begins to question the other’s true intentions.
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.
When a local girl goes missing, a woman is forced to face the demons from her traumatic childhood.
When a health crisis forces Liv to rethink her “live fast, die young” attitude, she jumps into a wellness journey to get better — even if it kills her.
Paul and Sophie, interns at a mysterious London firm, become steadily aware their employers Humphrey and Dennis are anything but conventional – they are disrupting the world of magic by bringing modern corporate strategy to ancient magical practices.
Detective Toni Alma is assigned to investigate a suspicious car accident in Perdar Theendar, the Indigenous community she left as a child and has had little to do with over the years.
Miranda Otto (born December 16, 1967) is an Australian actress. The daughter of actors Lindsay and Barry Otto and the sister of actress Gracie Otto, she began acting at age eighteen, and has performed in a variety of independent and major studio films. Her first major film appearance was in the 1986 film Emma's War, in which she played a teenager who moves to Australia's bush country during World War II. In 1996, director Shirley Barrett cast Otto as a shy waitress in the film Love Serenade. She starred in the 1997 films Doing Time for Patsy Cline and The Well, for which earned her third Australian Film Institute nomination. Her next project was the romantic comedy Dead Letter Office (1998). The film was Otto's first with her father, Barry, who makes a brief appearance. Later that year, she starred in the film In the Winter Dark, directed by James Bogle, for which she was nominated for her fourth Australian Film Institute Award. After a decade of critically acclaimed roles in Australian films, she gained Hollywood's attention after appearing in supporting roles in The Thin Red Line (1998) and What Lies Beneath (2000). In 2001, she was cast as a naturalist in the comedy Human Nature and appeared in the BBC adaptation of Anthony Trollope's The Way We Live Now, as a strong-willed American Southerner. Her breakthrough role came in 2002, when she portrayed Éowyn in The Lord of the Rings trilogy. Her character was introduced in the trilogy's second film The Lord of the Rings: The Two Towers in 2002 and appeared in the third film, The Lord of the Rings: The Return of the King, the following year. Her performance earned her an Academy of Science Fiction, Fantasy & Horror Films nomination for Best Supporting Actress. Director Steven Spielberg, impressed by Otto's performance in The Lord of the Rings, called her to ask if she would play opposite Tom Cruise in the big-budget science fiction film War of the Worlds (2005). Otto, pregnant at the time, believed she would have to turn down the role, but the script was reworked to accommodate her. Her next project was playing the lead in the Australian film Danny Deckchair (2003). She then took on the Australian television miniseries Through My Eyes: The Lindy Chamberlain Story (2004). At the 2005 Logie Awards, Otto won Most Outstanding Actress in a Drama Series for her role. In 2007, Otto starred as Cricket Stewart, the wife of a successful director, in the television miniseries The Starter Wife. She had a starring role in the 2008 American television series Cashmere Mafia, and Australian films such as In Her Skin and Blessed (2009). She starred opposite Stephanie Sigman and Anthony LaPaglia in the horror prequel Annabelle: Creation. She portrayed Zelda Spellman in Netflix's Chilling Adventures of Sabrina (2018-2020). She made her theatrical debut in the 1986 production of The Bitter Tears of Petra Von Kant for the Sydney Theatre Company.[28] Three more theatrical productions for the Sydney Theatre Company followed in the late 1980s and early 1990s. In 2002, she returned to the stage playing Nora Helmer in A Doll's House opposite her future husband Peter O'Brien. Otto's performance earned her a 2003 Helpmann Award nomination and the MO Award for "Best Female Actor in a Play". Her next stage role was in the psychological thriller Boy Gets Girl (2005).
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