Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
Except for Amine and Kimmy, the young couple of neighbors she meets regularly, visitors are rare in Constance Brunel's antique store. Loneliness is also her life. One night, Amine, in a panic, seeks help at her house: Kimmy has fallen badly when she slipped and she has killed herself. Thinking that the police will not believe this version because of his judicial past, Amine borrows Constance's car to take the corpse and make it disappear. In the days that follow, this shared secret brings Constance and Amine closer. But one morning, an anonymous letter accompanied by photos demands a ransom: someone in the building has seen everything, the blackmail begins.
The Dunars are conductors from father to son. François' long and brilliant international career come to an end, whereas Denis has just won an umpteenth classical music award. When François is chosen to be the head of the Scala, his ultimate dream, he can't believe it. Happy at first for his father, Denis quickly become disillusioned when he discovers that he was, in fact, chosen to go to Milan.
The actress Lola Dewaere recounts the film career and traumatic life of celebrated actor Patrick Dewaere, the father she never knew, under the watchful eye of director Alexandre Moix.
Jeanne, a brilliant architect has a new assignment: renovate the sumptuous Daguerre mansion owned by an eccentric family, head of a Board Game empire. When the landlord and patriarch Cesar is found dead, everyone present becomes a suspect. Suddenly Jeanne’s mission turns intoa life-size investigation to expose the murderer...
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
Actor-turned-director Valérie Donzelli brings us Nona and Her Daughters, a delightful 30-minute dramedy series on the theme of motherhood. Nona, brought to life by the enchanting Miou-Miou (Going Places, Entre Nous) is a 70-year-old feminist. She’s madly in love with André and finally free of taking care of her daughters — 40-year-old triplets played by Virginie Ledoyen, Clotilde Hesme and Valérie Donzelli, herself. She adores her family, life is beautiful and she’s living it to the fullest… Until the day she discovers that she’s pregnant!
A legendary secret service agent comes out of hiding and returns to France to help the son he's never met get out of trouble.
Miou-Miou (born 22 February 1950) is a French actress. In her career she has worked with a number of international directors, including Michel Gondry, Bertrand Blier, Yves Boisset, Claude Berri, Jacques Deray, Michel Deville, Diane Kurys, Radu Mihăileanu, Patrice Leconte, Joseph Losey and Louis Malle.
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