Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.
Mother and daughter, both from the GDR: one experienced it, the other did not. Tamara was born in 1990. Like many of the post-reunification generation, she left her homeland and only comes to visit for her milestone birthday. But everything that seemed secure crumbles within a few days: Tamara (Linda Pöppel) and her mother Barbara (Lina Wendel) are left. The two struggle to maintain their relationship, which cannot be detached from the social developments in which the family was born, grew and disintegrated. Now Tamara must face what she has been running away from: her own history.
Garbage manager Rüdiger Dorn wants to move into his parents' house after the death of his mother - but that has to be brought into shape first. It goes without saying that Werner pitches in.
An ensemble film that curiously discusses shifting power relationships between strangers.
Luisa from Argentina and Fred from Germany are confronted with their social roles at their wedding. The German tradition of kidnapping the bride shakes the couple’s equality. There is no room for love in this role-play of marriage.
The true story of an operation which was a revolution, not only for the world of medicine. Frankfurt 1967. A young doctor called Lisa Scheel is trying to get a foothold in the male-dominated world of transplant surgery. But after she is passed over by her main professor in favour of a male applicant, on the spur of the moment Lisa heads off to Cape Town. Here, she starts work for Dr. Barnaard, who, like his colleagues in Frankfurt, is planning a heart transplantation. Together with the surgeon Hamilton Naki, who due to apartheid can only join the team secretly, Lisa is a major contributor to the first heart transplant in history.
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