Tomoya Ishida, a rookie editor, meets Ayumu Mitsuya, a warm culinary researcher. Their encounters, enriched by simple yet irresistible dishes, leave a lasting impression.
Typically thieves enter a house, steal things and get out. This time an unsuspecting thief enters a home to steal as much as he can and instead is faced with an occupant inside the house. There is a woman within who is going to commit a murder. She is also about to set the place ablaze. The thief stops her and in the process the criminal becomes the one stopping a crime. The situation is connected to a case from some twenty years go.
Nakagawa Ayaka, Kihara Riko and Minamoto Yoshie work for a trading company’s general affairs department. They are all struggling with life in some way. Ayaka is terrible at expressing herself. Riko is inflexible while Yoshie has a defiant attitude. One day, a fairy (Yamazaki Kei) of the “right kind of ugly” appears before the three of them who receive a jolt of sobering reality about themselves. She tells them that their lives are full of mistakes. “Women who acknowledge that they are ugly, can stand at the starting line of happiness for the first time”. They follow her teachings in the hopes of gaining happiness and start rigorous training to become just the “right kind of ugly”