Two socially-awkward thirty-somethings and a young con woman start a rock band that takes the Buenos Aires music scene by storm.
Martín Negri is an environmental controller living in Bahía Blanca, whose hotspot is the city's Petrochemical Complex, located in Ingeniero White. Martín suffers workplace retaliation for refusing to be corrupted and falls ill.
Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.
A day like any other Robert's earthly existence comes abruptly to an end. In his way to eternal life he discovers that there is no promised paradise but a cold and impersonal bureaucratic organism: his arrival comes during a system's failure and is forcefully assigned to share his new existence with "Coquito" -a misfit who attends against his eager for tranquility-, in the midst of the corseted mechanisms of the heavenly bureaucracy.
In the spring of 2015, with her 80 years of age, Eloísa prepares to participate in a new celebration commemorating October 17, 1945. 70 years have passed since that feat of the working people. Everything is fresh in Eloísa's memory, also that night in 1944 when she became a witness to a secret meeting in the mansion where she worked as a service staff. There was Colonel Juan Domingo Perón fighting a duel with the representatives of the economic power of the time who proposed to condition his actions. Meanwhile, in the kitchen, the staff debated the current employment and political situation.
Two Uruguayan journalists embark on a journey of secrets, simulations, furtive encounters and paranoia when a mysterious informant contact them with the intention to reveal evidence of crimes by the military dictatorship that have never been investigated. The delivery is postponed repeatedly, patience runs out and anxiety grows, but the possibility of obtaining the information is stronger than any suspicion.
A taxidermist living with his wife and son who suffers from a virus which is mutating himself into another being, then he meets a woman who will tragically change his life
Pedro, an inexperienced conman, decides to rob a bank. When he tries to escape, the branch is surrounded by police. His hostage turns out to be Pablo, the husband of the daughter of the bank's owner. After Pedro and Pablo leave the crime scene, Pedro demands ransom. But the money never arrives, since Pablo's father-in-law decides not to pay and, to make matters worse, instead sends an assassin to kill off Pedro.
Algo habrán hecho is a documentary film for television that narrates the history of Argentina. It was created by the argentine historian Felipe Pigna, who acted as presenter. In the first two seasons Mario Pergolini was a co-presenter of it, but after giving up on all works on television his role in the documentary was taken by Juan Di Natale. Di Natale and Pergolini were by that time co-presenters of the talk show Caiga quien caiga. Di Natale pointed that he wasn't meant to act as if he was Pergolini, but the script writers wrote instead the scripts based on his own personality. The first season, aired in 2005 on Canal 13, narrates the history of Argentina from the british invasions of the Río de la Plata to the fall of Juan Manuel de Rosas during the Battle of Caseros. The second season, aired in 2006 on Telefé, resumes the narration from that point and continues up to the suicide of Leandro N. Alem in 1896. The third one, aired in 2008 on Telefé, resumes as well from the end of previous season and ends with the meeting of Juan Domingo Perón and Eva Duarte at the Luna Park during a fund-raising to help after the San Juan earthquake.
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