After his life is turned upside down when his wife is killed in a London terrorist attack, a brilliant but introverted CIA decoder takes matters into his own hands when his supervisors refuse to take action.
British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport.
In 2200, private detective Aline Ruby and her android partner Carlos Rivera are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet's capital city where they uncover a darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threatens to change the face of the universe.
An account of the life and work of the Swiss writer Johanna Spyri (1827-1901), the barely known artistic mother of Heidi, her brave alpine heroine, who was first introduced to the world between 1880 and 1881, in a novel published in two parts, and became definitely immortal thanks to an anime series, released in 1974, directed by the Japanese genius Isao Takahata.
Everybody has always loved Jeanne. These days, she hates herself. Up to her ears in debt, she has to go to Lisbon and sell her mother’s apartment, who passed away one year ago. At the airport, she runs into Jean, a whimsical and somewhat intrusive former high school classmate.
The Polish woman Wanda, 35, looks after Joseph, 70, in his family villa by the lake. She is there for him around the clock and also helps his wife Elsa, 75. The youngest son Gregi, 28, likes her very much. The work is poorly paid, but Wanda needs the money for her own family in Poland. Since everyone lives under one roof, Wanda gets an intimate view of their family life. So intimate that Wanda unexpectedly becomes pregnant.
Berlin playwright Lisa follows her husband Martin to Switzerland, where he manages a private school. However, when her twin brother Sven’s leukaemia begins to wreak havoc on his health, she decides she must return to her roots, which has significant consequences for her relationship.
Al Pacino is a mystery. He is fire and ice at the same time. His attraction is animalistic, his looks frightening. From the ghetto of the Bronx in New York he has made it onto the big stage – from Broadway to Hollywood. As Michael Corleone in "The Godfather" he celebrated his big breakthrough at the beginning of the 70s – against much resistance, because apart from director Francis Coppola himself nobody wants him for the role. His realistic acting became the measure of all things overnight.
Jean, an anthropologist with no history, is appointed Minister of the Family. While he discovers the backstage of the political world, he must also deal with the events that shake his own family, with the discovery of his brother's homosexuality, and the unexpected pregnancy of his wife.
Francesca, an Italian-American writer who lives in New York, must return to Rome to retrieve her aging mother. There, the ghosts of her childhood will come to her through her mother's art.
Marthe Keller (born 28 January 1945; Basel, Switzerland) is a Swiss actress and opera director. She studied ballet as a child, but stopped after a skiing accident at age 16. She changed to acting, and worked in Berlin at the Schiller Theatre and the Berliner Ensemble. Keller's earliest film appearances were in Funeral in Berlin (1966, uncredited) and the German film Wilder Reiter GmbH (1967). She appeared in a series of French films in the 1970s, including Un cave (1971), La raison du plus fou (1973) and Toute une vie (And Now My Love, 1974). Her most famous American film appearances are her Golden Globe-nominated performance as Dustin Hoffman's girlfriend in Marathon Man and her performance as a femme fatale Arab terrorist who leads an attack on the Super Bowl in Black Sunday, both of them were ill-fated characters at the climax of each film. Keller also acted with William Holden in the 1978 Billy Wilder film Fedora. She appeared alongside Al Pacino in the auto racing film Bobby Deerfield, and subsequently the two of them were involved in a relationship. Since then, Keller has worked more steadily in European cinema compared to American movies. Her later films include Dark Eyes, with Marcello Mastroianni. In 2001, Keller appeared in a Broadway adaptation of Abby Mann's play Judgment at Nuremberg as Mrs. Bertholt (the role played by Marlene Dietrich in the 1961 Stanley Kramer film version). She was nominated for a Tony Award as Best Featured Actress for this performance. In addition to her work in film and theatre, Keller has developed a career in classical music as a speaker and opera director. She has performed the speaking role of Joan of Arc in the oratorio Jeanne d'Arc au Bûcher of Arthur Honegger on several occasions, with conductors such as Seiji Ozawa and Kurt Masur. She has recorded the role for Deutsche Grammophon with Ozawa (DG 429 412-2). Keller has also recited the spoken part in Igor Stravinsky's Perséphone. She has performed classical music melodramas for speaker and piano in recital. The Swiss composer Michael Jarrell wrote the melodrama Cassandre, after the novel of Christa Wolf, for Keller, who gave the world premiere in 1994. Keller's first production as an opera director was Dialogues des Carmélites, for Opéra National du Rhin, in 1999. This production subsequently received a semi-staged performance in London that year. She has also directed Lucia di Lammermoor for Washington National Opera and for Los Angeles Opera. Her directorial debut at the Metropolitan Opera was in a 2004 production of Don Giovanni. Keller has a son, Alexandre (born 1971), from her relationship with Philippe de Broca. Description above from the Wikipedia article Marthe Keller, licensed under CC-BY-SA, full list of contributors on Wikipedia.
By browsing this website, you accept our cookies policy.