In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.
The New York underground linked the paths of the actor and playwright Charles Ludlam, the superstar of avant-garde cinema Mario Montez and the Argentine artist Leandro Katz. An underground community found refuge in a porn cinema that Ludlam rented at night to stage his theater of the ridiculous. In 1970 he premiered The Grand Tarot, an extravagant burlesque where the arcana became characters and a reading of cards before the performance began established the order of the scenes. Rollo Six materializes that furtive experience, recovering in its formal commitment the inventiveness of chance that guided Ludlam's work. Katz superimposes edited scenes in camera, fracturing the screen through the use of masks that cover the lens and allow him to separately expose each corner of the frame.
René Rivera, (July 20, 1935 – September 26, 2013), known professionally as Mario Montez, was one of the Warhol superstars, appearing in thirteen of Andy Warhol's underground films from 1964 to 1966. He took his name as a male homage to the actress Maria Montez, an important gay icon in the fifties and sixties. Before appearing in Warhol's films, he appeared in Jack Smith's important underground films Flaming Creatures and Normal Love. Montez also stars in the Ron Rice film, Chumlum, made in 1964. Mario Montez, was "a staple in the New York underground scene of the 1960s and ’70s."
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