When disaster strikes the set of a first-time director, a behind-the-scenes film crew captures everything as mishaps, blackmail and sabotage ensue.
Alphonse, a quadragenarian going through a professional and marital crisis, reconnects with a father he barely knew and discovers a surprising new calling. Along the way, he meets a galaxy of women, each more exciting and quirkier than the last, plunging him into a journey that is both perilous and transgressive, yet filled with kindness.
A lost cat, a giant talkative frog and a tsunami help a bank employee without ambition, his frustrated wife and a schizophrenic accountant to save Tokyo from an earthquake and find a meaning to their lives.
Zénon is the hero of “The Abyss”, the famous novel by Marguerite Yourcenar published in 1968. He is also the main character in André Delvaux’s film, played by Gian Maria Volonte, for the movie adaptation of the same book in 1988. But what does Zénon represent for us today, and what has become of him? How can this entirely fictional philosopher, doctor, alchemist and inventor from the Renaissance help us understand the era in which he lived as well as our own in these uncertain times? This is what this documentary sets out to do.
A woman's dead body is found in her apartment on a winter morning. All the evidence points to her fiancé. But he has an identical twin brother. The detectives have to go beyond appearances and defeat their demons to find the true murderer.
They are possessive, benevolent, clumsy, absent, omnipresent, overwhelmed, guilty, indulgent, loving, fragile, in full possession of their wits, or losing their heads. Alive or already a memory. They are mothers, and it’s their party.
Marie-Christine Barrault (born 21 March 1944) is a French actress. She is best known for her performance in Cousin Cousine (1975) for which she was nominated for the Academy Award for Best Actress. In 2010, she released her autobiography, titled This Long Way To Get To You. Marie-Christine Barrault was born in Paris, France, the daughter of Martha (née Valmier) and Max-Henri Barrault. Her parents later divorced. Barrault's father, who worked in the theatre, died while she was a teenager. With no support, her mother was unable to care for her and her brother, Alain. Barrault was raised by her grandmother, Felicite. She was mentored in acting by her aunt and uncle, French performers Jean-Louis Barrault and Madeleine Renaud. They initially did not support her dreams of becoming an actress. She performed in plays in secondary school and then enrolled in an acting conservatory. Barrault got her start on television in L'oeuvre (1967). She made her feature film debut in Éric Rohmer's My Night at Maud's (1969). In 1970 Barrault was featured along with Pierre Richard in the comedy film Le Distrait. In 1975 Barrault starred in Cousin Cousine, for which she received an Academy Award nomination for Best Actress in a Leading Role. She worked with Rohmer once again in 1978, in the role of Guinevere in Perceval le Gallois and she also has a cameo in his Chloe in the Afternoon. Barrault is not fluent in English and therefore has generally turned down offers to appear in English-language films. However, in 1980 she accepted an offer from Woody Allen to appear in his film Stardust Memories. In 1988 she was nominated for a Genie Award for her performance in No Blame. In 1991 she portrayed Marie Curie in a television mini-series. In her later career, she has preferred acting on the stage in France. In 2015, she came to Los Angeles on tour to perform in the play Les Yeux Ouverts, in which she portrays French author Marguerite Yourcenar. Barrault's first husband was producer Daniel Toscan du Plantier, whom she married in 1965. With him, she had two children, David and Ariane. Barrault was married to director Roger Vadim from 1990 until his death from cancer in 2000. She herself is a breast cancer survivor. Source: Article "Marie-Christine Barrault" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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