The Beck group is called out to investigate the brutal murder of a man in his own house and Vilhelm, Beck's grandson, ends up being kidnapped.
After a tragedy at a school sends shock waves through a wealthy Stockholm suburb, a seemingly well-adjusted teen finds herself on trial for murder.
Could Sweden’s most notorious killer be innocent? Detective Peter Wendel struggles to hold together his fractured psyche – and mismatched cold case team – while uncovering the truth of a cryptic message.
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
The police woman Hanna Svensson has a strained relationship to her son after having arrested him for drug dealing. Her married police man lover disappears, possibly kidnapped by MC gangs, although ties to Bosnia also appear.
In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.
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