Pérola (39 years), a female lawyer, return to Angola, for her younger sister´s “Alambamento” (traditional Angolan ceremony where dowries and promises are exchanged between a couple) more than 20 years living abroad. On coming back, she realises that she does not fit in that environment anymore. The world that saw her come to life is now uncomfortable. In the beginning, she remains apart, watching all her parents do and say in a judgmental way, but as the party unfolds, Pérola starts to see the beauty of the place. That land and it´s People reveal a charm that she was not expecting and suddenly she understands that all her loneliness and emptiness she has felt all those years was only her home beckoning her back.
The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.
The Bodiless Woman is an intervention film about the violence perpetuation and, above all, about the victim’s dignity and her deliverance.
During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.
Stories that make us reflect on how we live and on what is the value we give to life. It reinforces the importance of living in the present rather than in the past, an error in which Artur and Carolina fall as soon as they wake up on the same day after years of absence.