Elham is a young, divorced Iranian woman. Seeking to find herself after a near-fatal beating by her husband, she finds solace and salvation in the water and soon makes her mark as a formidable endurance swimmer. In the fight of her life, Elham faces political, religious, and personal obstacles in search of her goal: the Guinness World Record for swimming the longest distance with hands bound.
Sheida intends to travel abroad to seek treatment for her daughter, but due to her husband's secrecy and lies, she faces a horrible event that changes her life forever and...
A man in the park tells the story of his friend, who worked in the cinema industry, to a young girl. The young girl who is part of the cast filming on the other side of the park ends up knowing the identity of the man.
A young couple after many years from their marriage are after having a baby but because of some medical problems and the need for special treatment they can not having a baby. They decide to travel to London for the treatment and begin to manage money for that but some incidents make the woman to begin to doubt about continuing this trip.
Manijeh Hekmat is an Iranian film director. Born in 1962 in Farmahin, Iran, she has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film Women's Prison (Zendān-e Zanān) in 2002. This film has been shown at over 80 international film festivals and has received seven prizes. Three Women (Seh Zan) is Hekmat’s second feature film made in 2007.
This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.
The depressed Shirin wanders around at her father's funeral. Unexpectedly, she sees a man very much like her father. Regardless of her uncle's objection, Shirin is enchanted by the idea of finding out that man. Reluctantly, her uncle acknowledges that the man is her father's illegitimate child. Looking at gloomy daughter, Shirin's mother tells her about some past events, especially about an unexpected truth that Shirin is her father's adopted daughter. It seems to be clear that Shirin and that man have no blood bond. But her father's mistress tells a different story.
By browsing this website, you accept our cookies policy.
