Bego, a housewife in a mid-life crisis, lives bored and afraid of being inconsequential, however, her life evolves into a mysterious game once she enters into a cult that preaches three days of darkness...
Arcelia takes care of her lifetime partner Lulu. Julian, a teenager exploring his identity, lives under the watch of his conservative mother. A sudden event will draw an unexpected path between the old couple and Julian.
Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.
Ines is an old atheist woman who is intrigued by the funeral services provided by Giovanna, who takes her on a tour through the graveyard to show her all the special attentions they offer to their clients
Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.
Three octogenarians set out on a trip in order to fulfill the dying wish of a lifelong friend, in spite of the disapproval of their families and the limitations of their advanced age. Along the way, they find themselves embroiled in a series of comedic misadventures and meet a cast of colorful characters. Their journey fundamentally alters each characters' sense of self and their place in the world. There is, indeed, life after 80.
A woman defines her life on how she interacts with people online, disregarding the people in front of her.
Daughter of José de Jesús Vizcaíno, one of the most prolific writers of the golden age of radio in Mexico. Since the beginning of her career, her voice has accompanied the history of Radio UNAM, Radio Educación, IMER, XEW and XEQ. Graduated from INBA and CUT, she was part of the National Theater Company of UNAM, which with the plays Divinas Palabras (dir. Juan Ibáñez) and Olímpica (dir. Héctor Azar) toured various cities in Europe during 1964 and 1965, winning multiple awards. For the play La Ronda de las Arpías (dir. Mercedes de la Cruz, Pablo Leder) she was recognized as Best Supporting Actress in 1991. Throughout her life she has participated in dozens of plays. On television, her first role was as a storyteller on a program that was broadcast every Sunday on Channel Five. Later she participated in teletheaters, soap operas and educational programs, among which Santa (Miguel Sabido) and Fonda Susilla stand out. In cinema, she started with films such as Para servir a usted, Maten al león and Los indolentes by José Estrada and Divinas Palabras and A Fuego Lento by Juan Ibáñez. Her voice was immortalized as the narrator of the classic El grito, México 1968, by Leobardo López Arretche. With her performance in Martha, by Marcelino Islas, which debuted at the Venice Critics' Week, she conquered audiences around the world and was recognized in Mexico with the Ariel for Best Actress. In 2019, she starred in Encuentro, by Ivan Löwenberg, becoming one of the eldest actresses ever to portray an LGBT+ character.
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