Filmmaker Roberto Farias' passion for cinema is revealed by his daughter Marise Farias through an intimate look, from childhood to his political, economic and cultural role in Brazilian Cinema. Through Roberto Farias himself and friends such as Luís Carlos Barreto, Cacá Diegues and Zelito Viana, the film tells the stories of the director who achieved a direct dialogue with the public through successes such as O Assalto ao Trem Pagador (1962), the trilogy with singer Roberto Carlos (1968 to 1971) and Pra Frente Brasil (1982). Texts from an unpublished book of memories are interpreted by his brother, actor Reginaldo Faria.
For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.
Discover the trajectory of Ibrahim Sued, a journalist who revolutionized the Brazilian press during his almost 50-year career, through interviews, photos and films from the personal archive of his daughter, Isabel Sued Perrin.
Searching for Makunaima is a cultural and historical account of the most Brazilian character there is in fiction. The film begins with Makunaima, one of the founding myths of the native people from the border between Brazil-Venezuela-Guiana, first captured in the writings of the German ethnographer Koch-Grünberg at the beginning of the 1910s. With interviews in Portuguese, German, Spanish, and in the indigenous languages Macuxi and Taurepang, Searching for Macunaima reclaims this amazing character who represents Brazil in many ways (from literature to cinema to theatre) and remains relevant to date.
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
In 1979, while Brazil was going through the troubled moment of the Amnesty Law, Glauber Rocha directed the program Abertura for TV Tupi, in which he interrogated a contradictory and boiling Brazil head-on, full of utopias but always under the weight of secular wounds.
A film about remarkable moments in the History of Brazilian Photography, built through the eyes of Lauro Escorel. It also reflects on the impact of digital photography on contemporary society.
Documentary that chronicles the trajectory of the journalist, federal deputy, secretary of state, minister of state, governor and ambassador José Aparecido de Oliveira, who lived with the greatest authorities and personalities from the political, business and cultural circles in Brazil and the world.
A story about how football, cinema, photojournalism and intimidation with power can come together in a protagonist figure in Brazilian history: Luiz Carlos Barreto, better known as "Barretão". Narrated in first person, the documentary explores Barreto's view of himself, recounting his artistic and political trajectory, which blends with the history of Brazilian cinema as a whole.
Luiz Carlos Barreto Borges (Sobral, May 20, 1928) is a Brazilian photographer and film director.