László Szabó

Overview

Known for
Acting
Gender
Other
Birthday
Mar 24, 1936 (89 years old)

László Szabó

Known For

Ismael's Ghosts
1h 54m
Movie 2017

Ismael's Ghosts

Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

The Big O
1h 50m
Movie 1990

The Big O

A tribute to Orson Welles. When Kovacs meets Agi, he does not know what awaits him: cinema, alcohol and love do not mix well when you are a Hungarian director parachuted into Hollywood...

Tolérance
1h 48m
Movie 1989

Tolérance

An English hermit Rupert Everett) has somehow been brought to France in the period following the French Revolution, and prior to the Napoleonic Era, a period (1795-1799) known as "The Directory." He eventually comes down out of his tree into a chateau owned by an Italian nobleman (Ugo Tognazzi) and his wife. Before long, the hermit has washed and bathed and become quite presentable, even charming. However, his appearance in their midst is like a sentence of death for many of those who associate with him.

Front woman
1h 31m
Movie 1989

Front woman

Leaud portrays a Parisian publisher of romance novels who hits on the gimmick of having his live-in girlfriend (carrot-top cutie Helene Lapiower) pose as author Rosine de Beaumont for book jacket and autograph signings. She's an immediate hit but rebels against being exploited, and throws Leaud out of their apartment. Complications occur when she meets a nerd (Rufus) claiming to be the book's author, leading to discovery of the real author (Thierry Fortineau), a bookseller who"s so happy to be in print at last that he's not to miffed at the deception. Climax shot at Charles de Gaulle Airport neatly weaves plot threads together for a blissfully happy ending.

Pleure Pas My Love
1h 30m
Movie 1989

Pleure Pas My Love

After the suicide of his actress-mother, a young man announces his identity to his father, who happens to be the man who directed his mother's last film.

The Mysterious Death of Nina Chereau
1h 38m
Movie 1988

The Mysterious Death of Nina Chereau

A woman accused of murder escapes an asylum and her psychiatrist tries to find her.

The Unbearable Lightness of Being
2h 51m
Movie 1988

The Unbearable Lightness of Being

Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.

Accroche-cœur
1h 30m
Movie 1987

Accroche-cœur

Leo just broke up with his wife, and the handsome architect wants to enjoy his sadness at this event in solitude. Unfortunately for him, his young girlfriend, an unperceptive sprite, is too much in love with him to let him out of her sight. He is on his way to a resort in the south of France, and despite his persistent, obvious and repeated attempts to get her to leave him alone, she sticks to him like glue.

Biography

László Szabó (born 24 March 1936) is a Hungarian actor, film director and screenwriter. Since 1952, he has appeared in more than 120 films. These include seven films that have been screened at the Cannes Film Festival. He was born to Béla Szabó and Margit Gulyás. Between 1954-1956 he was a student at the Budapest University of Technology , during which he performed in an amateur theater group. He applied to the Theater and Film Academy as an actor, but was not accepted. He left the country in the fall of 1956 and went to Paris . Like the French new wavers, he also visited Henri Langlois ' "liberty university of film history" at the Cinématheque, watched the film series, met and talked to the directors who presented their films, and while writing in the "cahiers", interviewed Buster Keaton together with Jacques Rivette . He and a friend dropped by on the set of Chabrol (Cousins), from whom he immediately received a one-sentence role. And in his next film, Locked with the Key , a longer one. After that, Godard gave him the role of the interrogator in The Little Soldier , which was followed by other roles in more recent Godard films. He is the favorite character actor of all the directors of the new wave, everyone has a role for him, they entrust him with strange, boho characters, who always have some disturbing and annoying ulterior motives. He also took a liking to directing, and made two new-wave French films. Truffaut wrote an appreciative review of the amusing film noir The White Gloves of the Devil . Zig-Zig was played by the new wave's favorite anti-star actress, Bernadette Lafont , and a cool star, Catherine Deneuve . This is also where the self-confidence and sardonic pungency of the new wavers can be felt. Like all actor-directors, he brought out the best in his actresses, skillfully mixing dark humor and tenderness. In the meantime, from the end of the 1960s he appeared in Hungarian films, and after many character roles, he got the lead role from Zsolt Kézdi-Kovács : Miklós Dibusz, the big snooty, sumák organizer, The nice neighbor . His first and so far the only Hungarian-French direction was based on Nándor Gion's novel: Sortűz for a Black Buffalo , and his first and so far only Hungarian direction: The Man Who Slept During the Day

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