When a young girl is kidnapped, ruthless police inspector Peter Nadler embarks on a race against time to rescue her.
Veteran defense attorney Konrad Biegler accepts the defense of a man accused of kidnapping a young girl. At the trial he must face the tenacious police inspector Peter Nadler.
Veteran defense attorney Konrad Biegler and tenacious police inspector Peter Nadler face off in the trial of a man accused of kidnapping a young girl. (Abridged version of Enemies: Against the Clock and Enemies: The Confession, focusing on the ins and outs of the judicial process.)
This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.
A cardiologist is sent into retirement, but he feels at loss without his work. He returns to his home village to work as a general practitioner. This is the start of his ordeal: he's confronted with raw reality, which finally brings him to his knees. But music has the last word.
Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.
A documentary directed by Kathrin Anderson.
Klaus Maria Brandauer is an Austrian actor, film director, and professor at the Max Reinhardt Seminar in Vienna.
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