Cartoon Carnival tells the story of the pioneering early days of the animated art-form and chronicles one film preservationist's quest to rescue pre-sound cartoons from obscurity and screen them to new, appreciative audiences.
A TCM original production on why silent movies matter, featuring new interviews with Honorary Academy Award winner Kevin Brownlow, filmmaker Bill Morrison, TCM Silent Sunday Nights host Jacqueline Stewart, and film collector/expert Shane Fleming. They discuss the beauty, cultural importance, and long-standing impact that silent film holds in its celluloid.
Documentary following the history of America's first cinematographers.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
Travelogue of two film historians Nikolay Izvolov and Sergey Kapterev who visit world film archives around the globe in search of a lost sound version of one famous Soviet cartoon. It's "The Post" made by Mikhail Tsekhanovsky in 1929 and based on a poem by Samuil Marshak. At first "The Post" has been released in a silent form and later Tsekhanovsky remade it with experimental music and narration by Daniil Kharms. At that moment it was the first Soviet sound cartoon and it was a success all over the world. Russian film studies consider "The Post" to be of great importance and artistic value but unfortunately it's still lost. Only the silent version and the 1964 remake are still known and available.
Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Kevin Brownlow is a British film director, producer and historian.
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