The municipality of a small Breton village has decided to welcome a family of Ukrainian refugees. To their surprise, they receive Fayad family – coming from Syria. They thwart all the clichés that the French expected: they are friendly, refined, educated… So much so that, in this small, humming village, it is no longer clear which side the barbarians are on…
Liam, an aspiring and ambitious young writer, eagerly accepts a tutoring position at the family estate of his idol, renowned author J.M. Sinclair. But soon, Liam realizes that he is ensnared in a web of family secrets, resentment, and retribution. Sinclair, his wife Hélène, and their son Bertie all guard a dark past, one that threatens Liam’s future as well as their own.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
A portrait of the Spanish-German actor Daniel Brühl, a versatile performer capable of moving easily from the gentlest to the darkest role.
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
Four women, a chef, a single mom, an heiress, and a job seeker dig into love and work, with a generous side of midlife crises, in pre-pandemic LA.
Before the End responds to the ethos and fanbase of the Before series while considering the impact of the pandemic on filmmaking, films, fans and characters too. Primarily, the work is an experiment with updating the Kuleshov effect for social media, that is, showing how the juxtaposition of images will be read by a cinema audience as narrative, even though the projection of emotional connections between the images is, as here, entirely the construct of the audience. For study purposes. This simulation of a fourth ‘Before’ film for the pandemic sees Jesse (Ethan Hawke) and Céline (Julie Delpy) on a video call during lockdown in 2020, separated, and unwittingly recreating the scene in the record booth from Before Sunrise. The video incorporates footage from the Q&As that Ethan Hawke and Julie Delpy did with Cameron Bailey for TIFF Originals on 30 April and 12 May 2020 respectively.
Isabelle, a geneticist recovering from a toxic marriage, is raising her only daughter, Zoe, with her contentious ex-husband. Zoe means everything to her mother and so when tragedy strikes the fractured family, Isabelle travels to Russia in seeking the help of a world-renowned fertility physician who Isabelle believes can help bring back her little girl.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
Charlie, a down-on-his-luck loner, crosses paths with a blind homeless man who is his exact double. Perplexed and intrigued by the discovery, Charlie invites the man into his life.
Julie Delpy is a French-American actress, director, screenwriter, and singer-songwriter. She studied filmmaking at New York University's Tisch School of the Arts and has directed, written, and acted in more than thirty films. After moving to the US, she became an American citizen.
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