Janaína is a black screenwriter embarking on a new audiovisual project. She meets the rest of the team, where all of whom are white, on a farm. Pedro, the leader of the script room, disappears. Janaína investigates and makes unimaginable discoveries.
In order to recreate a picture taken in 1974, during the inauguration of São Paulo subway, Pedro meets two school friends he had not seen for 40 years. If their existential crises, ageing and (astray) ways were not enough, Pedro announces, to everyone's surprise, he intends to take his own life — even though not before he sees his soccer team win a championship.
Whether for neurotypical or autistic people, love doesn't have a unique way of expressing itself. There is no typical love. Relationships and romantic love are challenging for everyone. For autistics, then, the matter can gain other layers of complexity. Or is it not? Marcos Maia and Sophia Mendonça mediate this dialogue, with great guests.
Laerte’s obsessive jealousy brings his relationship with Helena to an end on their wedding day. Twenty years later, he meets Luiza, the daughter of his long lost love. The two fall in love and stir up dormant feelings that profoundly affect Helena’s marriage and her relationship with her daughter. Defying everyone, Laerte and Luiza decide to follow their love to the highest bounds, leaving a trail of conflicts and pain along the way.
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