Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.
In mid-March 2020, as the Met made the difficult decision to cancel performances due to the escalating COVID-19 pandemic, mezzo-soprano Joyce DiDonato was in the opera house rehearsing for an eagerly anticipated revival of Massenet’s Werther. Within days, she and co-star Piotr Beczała took to an impromptu livestream to perform excerpts from the opera. It would be many opera lovers’ first taste of the kind of virtual programing that became more and more common in the ensuing months. The Met launched its own live online performance series, Met Stars Live in Concert, later in the year, presenting some of opera’s most extraordinary artists in concerts from around the globe. DiDonato joined the series in September 2020, accompanied by pianist Carrie-Ann Matheson and longtime collaborators, Baroque ensemble Il Pomo d’Oro, from a truly remarkable venue: a former German industrial pavilion now used for theatrical events.
In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.
Join host Michael Keaton to celebrate "Mister Rogers’ Neighborhood," the pioneering children's series that premiered nationally 50 years ago. Celebrities, cast members and Joanne Rogers reveal their favorite memories from the series.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2017 concert was conducted by Simon Rattle and featured Joyce DiDonato (mezzo-soprano). On the programme: Antonín Dvořák:Carnival: Overture, Op. 92 , Igor Strawinsky Apollon Musagète. No. 8, Pas de deux 5:03, Richard Strauss: Zueignung Op. 10, No. 1; Wiegenlied Op. 41, No. 1; Muttertändelei Op. 43, No. 2; Morgen Op. 27, No. 4; Die heiligen drei Könige aus Morgenland Op. 56k, No. 6, Leonard Bernstein: Three dance episodes from "On the town“, Take Care of this House from "1600 Pennsylvania Avenue", Dmitri Shostakovich: Suite from The Golden Age, Op. 22a, Antonín Dvořák: Slavonic Dance Op. 72, No. 2, Johannes Brahms: Hungarian Dance No 1 in G minor.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
In all her endeavors, both on and off the stage, Joyce DiDonato engages audiences through her energy, imagination, and commitment to her art form. Through these qualities, and with a constantly questing spirit, she has nurtured the vocal, musical and dramatic talents that have taken her to the pinnacle of her profession as a performer. Equally, they serve her as an eloquent and formidable advocate for the transformative power of the arts as she takes music far beyond the world’s great stages – to educational institutions, refugee camps, and maximum-security prisons. “Music heals,” she has said, “and it can fire people up with purpose and courage to change the world.” The winner of multiple Grammys and the 2018 Olivier Award, Kansas-born Joyce DiDonato is, in the words of the New Yorker, “perhaps the most potent female singer of her generation”, her voice having been described by The Times as “nothing less than 24-carat gold”. For all its beauty and agility, its true impact lies in Joyce’s capacity to illuminate character and meaning through nuances of colour and phrasing and her unfailingly communicative way with the text.
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