23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.
Twenty years after his debut as an actor, Brazil's sweetheart Reynaldo Gianechini meets his mentor, legendary director José Celso Martinez Corrêa for a first reading of Plato's Phaedrus.
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
Silvio Tendler goes through his life remembering the movements he was part of during the brazilian dictatorship and his adherence to socialism.
In 1979, while Brazil was going through the troubled moment of the Amnesty Law, Glauber Rocha directed the program Abertura for TV Tupi, in which he interrogated a contradictory and boiling Brazil head-on, full of utopias but always under the weight of secular wounds.
Horacio, an old smuggler hiding from the law, lives in a surreal, baroque apartment with Petulia, his daughter, and Milton, his favorite thug. While he keeps his daughter locked up in her bedroom, Horácio flirts with his goon, for whom he has had repressed feelings for years. However, Milton's love for a mysterious woman, and Petula's attempts to free herself with the help of a former lover, clash with Horacio's tyrannical whims.
How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.
José Celso Martinez Corrêa (Araraquara, March 30, 1937 – São Paulo, July 6, 2023), known as Zé Celso, was a Brazilian director, actor, playwright and director. Working − whether directing, adapting, or actually in collaboration − with names ranging from Augusto Boal, Henriette Morineau, Fernanda Montenegro, Sérgio Britto, Raul Cortez, Bete Coelho and Flávio Império to Chico Buarque, William Shakespeare, Nelson Rodrigues, Max Frisch, Bertolt Brecht and Máximo Gorki, Zé Celso built one of the most original journeys on Brazilian stages.
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