He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
A documentary about the world of portuguese cinema, with interviews with some critics and directors.
In mid-September 1992, journalist Guida Fontes have to go to Luanda to cover the elections in Angola. In the meantime, she had committed herself to discovering and interviewing the poet Júlio Vera. In 1988, he wrote a series of poems in which he mysteriously anticipated the fall of the USSR. Guida has only 12 days to complete the mission.
The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.
Blanche, a social worker living in Southern France is assigned the case of a five year old deaf boy, who is found by a Gypsy lady after having been abandoned and tied to a shed near her trailer. The boy's life is in danger apparently because he is related to the family of a local politician who is seeking election as mayor. Blanche, though suffering from manic depression and thus emotionally vulnerable, decides to take charge of the situation, get her act together and besides being told to drop the case, seeks to discover the secret the boy has inside.
At the end of the seventeenth century, in Naples, still dominated by the Spaniards, a young pupil, Balthasar,is castrated to preserve the purity and beauty of his voice. The Duchess dies and her son, the Duke of Arcos, takes charge of the inheritance, which includes Balthasar. With the entrance of Maria Loffredo, former lover of the Duke, a triangle is established that unchains tragic consequences to the allegedly callous life of Balthasar.
João Salaviza (Portuguese: João Salaviza Manso Feldman da Silva; born 19 February 1984; Lisbon) is a Portuguese film director, screenwriter, editor, producer, and former actor. He is the recipient of several accolades, including the Short Film Golden Bear, the Short Film Palme d'Or, and the Un Certain Regard. João Salaviza was born on 19 February 1984, in Lisbon, Portugal. His father is José Edgar Feldman, a film director, and his mother is a producer. He studied at the Lisbon Theatre and Film School and at the Universidad del Cine de Buenos Aires, in Buenos Aires, Argentina. His film Arena won the Short Film Palme d'Or at the 2009 Cannes Film Festival. In 2012, his film Rafa won the Golden Bear for Best Short Film at the 62nd Berlin International Film Festival. Salaviza worked as assistant editor in Manoel de Oliveira's Eccentricities of a Blonde-haired Girl.
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