General Khadyakov turns sixty. He decides to ditch Moscow for a day and celebrate his birthday in an authentic Russian village with an immersive countryside experience. Fishing, a jolly feast, a visit to the banya, and a farm-style spa - that's the plan, and all of his beloved friends are coming. But the party goes awry: the rich guests manage to turn the whole village against themselves, get into a nasty quarrel and lose all the food.
Kira is a 30-year-old successful architect living in the illusion of absolute choices while being obsessed with constructing the ideal Moscow. She is used to living life according to her own rules, but she has to face her fear of the future and inability to love. An unexpected tragedy will lead Kira to face her past with her family, start life from the scratch, and become a mother.
On the verge of retirement, Commissioner Gintas must undertake the investigation of a series of heinous murders, a dangerous task that could expose the many dirty secrets of several prominent members of the social elite of a small Lithuanian town.
During a spur-of-the-moment trip to St. Petersburg, chief financial officer Elena unexpectedly meets the man of her dreams – and then, equally unexpectedly, loses him again. She has nothing to go on, so she breaks out everything she's got to hunt him down: logical deduction, supernatural forces, her friends' help, a new guy she's met, a retreat, and much more. Since she was a little girl, Elena has always "taken life at a march," climbing the career ladder with frankly alarming determination, never letting herself get waylaid by romance or relationships. She's always been like that – right up until this weird, accidental, incredibly lucky meeting. In the new episodes, Elena gets back to hunting down the one that got away, using every aboveground (or underhand) method available to her. She rushes headlong into it, makes mistakes, falls down, but keeps going, making the difficult journey toward love and affection, and, most importantly, finding herself.
His motto was laconic: "I promised - stay still." This is how Alexei Balabanov lived, raised his sons, was friends, and so filmed. A legendary director and an extraordinary person who made both "festival" and "mass" films with equal ease. He was a great father and a difficult husband, a loyal friend and an honest guy. Balabanov with his life, passions, losses, burning pain on the way to God in the memories of those closest to him - mother, sons, wife and friends. He seems to be telling the crew again: "Let's do it talentedly!"
The creator of the best virtual reality games is convinced that in reality everyone and everything is controlled, but a chance meeting with a young activist opens his eyes to the fact that the world is much wider and more complicated than anything that he knows and understands about it.
While everyone is sitting at home, the Moscow director and several famous artists have to rehearse the new performance remotely. However, not everything goes according to plan, because relationships, sex and parents are now also online. And the play itself adds insanity, because the main role - a real sheep.
Representatives of the Danish and world intellectual elite, the best minds of our time are going to a conference in Copenhagen to discuss the urgent "Iranian problem" — violation of rights and freedoms, daily executions, torture and military conflicts in the middle East. An orientalist, theologian, political scientist, military journalist, the wife of the Prime Minister (formerly a well-known TV presenter), writer, priest, famous conductor and Iranian poet — winner of the Nobel prize in literature take turns on the stage.
Russian troops occupied Paris. Russia became the first power in the world. Now everything seems possible. Young winners, guards officers, are sure that equality and freedom will come - here and now. For this they are ready to sacrifice everything - position, wealth, love, life ... and the country itself.
Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?
Ingeborga Dapkūnaitė is a Lithuanian actress, who stars mostly in Russian movies.
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